James garner and gena rowlands dating
The Notebook, A Woman Under the Influence, Gloria, Opening Night, Love Streams, The Skeleton Key, Hope Floats, Minnie and Moskowitz, Unhook the Stars, Night on Earth, A Child Is Waiting, Taking Lives, Lonely Are the Brave, Paulie, Playing by Heart, Hysterical Blindness, Something to Talk About, Pari...[on The Notebook (2004)] The kids -- Rachel Mc Adams and Ryan Gosling -- were such good actors.I was happy to work with Jim Garner [James Garner]. They're unpredictable; they steal scenes, but that's what makes them so much fun. You never know what they're going to do or say - how they'll respond.[on her role in A Woman Under the Influence (1974)] I knew many girls who had had breakdowns. I think people don't have all their marbles who prefer directing to acting because you write for three months, you cut for maybe six months. She's no pussycat -- she's just a great and independent artist and I loved every minute working with her.He had his greatest impact in television, first on “Maverick” in the ’50s and then in the ’70s on “The Rockford Files,” for which he won an Emmy in 1977.He later appeared in several quality telepics including “Promise,” “My Name Is Bill W.” and “Barbarians at the Gate,” as well as the occasional strong feature such as “Victor/Victoria” and “Murphy’s Romance,” for which he captured his sole Oscar nomination for lead actor.Academy Honorary Award, Golden Globe Award for Best Actress – Motion Picture – Drama, Berlin Film Festival Award for Best Actress, Primetime Emmy Award for Outstanding Lead Actress in a Limited Series or a Movie, Golden Globe Award for Best Performance by an Actress In A Mini-series or Motion Pi...Academy Award for Best Actress, Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Leading Role, Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Miniseries or Television Movie, Primetime Emmy Award for Outstanding Guest Actress - Comedy Series, ...For a time he seemed ready to inherit the aging Cary Grant’s romantic comedy leading man mantle with such films as “The Thrill of It All” (1963), “The Wheeler Dealers” and “Move Over Darling.” Arthur Hiller gave him a meatier assignment, in the satire “The Americanization of Emily,” opposite the then-red-hot Julie Andrews.He then nabbed the thriller “36 Hours” and a couple of indifferent comedies, “The Art of Love” and “A Man Could Get Killed.” The films were now A-budget, but “Duel at Diablo,” “Mr.
The real boost to his career came in a role now indelibly associated with him, that of Bret Maverick in the comedic Western that ABC debuted in 1957; the role and the series fit his wry personality like a glove.He reteamed with Andrews in the Blake Edwards musical “Victor/Victoria” in 1982, and he landed a plum role opposite Sally Field in the comedy/romance “Murphy’s Romance” in 1985.He essayed an older Wyatt Earp in Edwards’ “Sunset” opposite Bruce Willis as Tom Mix and did the underwhelming “Fire in the Sky” in 1983.The other five are Elisabeth Bergner for Escape Me Never (1935) (directed by Paul Czinner), Jean Simmons for The Happy Ending (1969) (directed by Richard Brooks), Frances Mc Dormand for Fargo (1996) (directed by Joel Coen), Julie Andrews for Victor Victoria (1982) (directed by Blake Edwards), and Joanne Woodward for Rachel, Rachel (1968) (directed by Paul Newman).Jules Dassin also directed his future wife Melina Mercouri in a Best Actress Oscar nominated performance (Never on Sunday (1960)), but they weren't married yet at the time of the nomination.