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And “American Idol’s” retirement was so short-lived, we barely remember it happened.This year, in addition to “Temptation Island,” MTV’s popular young adult docusoap, “The Hills,” is making a much talked-about return.Even in the casting process, just perception and the way in which people look at relationships these days — there’s an endless choice, if you will, or access.I think now it’s going to be less about, ‘Oh my gosh, I can’t believe this is on TV’ and more about ‘Oh my gosh, I’m so excited to watch this because they’re going to be exploring questions that I may have about my relationship.’”Olander says there were discussions about whether the format needed updating with new twists and turns.Bravo’s groundbreaking makeover show “Queer Eye for the Straight Guy” was updated for the Netflix generation — now simply titled “Queer Eye.” TLC’s home-design show “Trading Spaces” dusted off its paint rollers.The cast of MTV’s “Jersey Shore” reunited for another round of antics.Resuscitating a reality show like “Temptation Island” is a lot cheaper than bringing back scripted shows like “Roseanne” or its replacement, “The Conners,” with big-name, well-compensated stars (John Goodman, Laurie Metcalf and Sara Gilbert are each reportedly earning 5,000 per episode).The thinking, says Jennifer Pozner, media critic and author of “Reality Bites Back: The Troubling Truth About Guilty Pleasure TV,” goes a little like this:“If we’re rebooting everything from the ’90s and early 2000s, and spending a lot of money bringing back [‘Roseanne’], we may as well spend very little money and try to break up people’s relationships on an island.”David Goldberg, president and chief executive of Banijay Group, which produces “Temptation Island,” sees it in a different light.

Offering audiences the familiar is less risky than enticing them with something brand-spanking new — a notion bolstered by the fact that viewers with an abundance of current TV shows at their fingertips often prefer to curl up with old favorites available on streaming services such as “Friends” and “Golden Girls.” “I think non-scripted producers are looking at what’s happening with scripted, and looking into their libraries, and bringing out formats that have been on,” says Heather Olander, who heads alternative development and production for USA Network.But the producers decided not to tinker much with the formula — even original host Mark L.Walberg is back as the ringleader of the shenanigans.“We ended up thinking like the way to make it modern is through the storytelling, and the characters, and the points of view, versus trying to add twists and turns to what I think is a really great format,” Olander says.“It’s very relatable, and in some ways, maybe even more relevant now.With technology, you could be swiping left or right, and check out if the grass is greener.

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C.” It followed “Laguna” star Lauren Conrad and her friends in Los Angeles as they partied, fell for the wrong guys, met for brunch and occasionally went to work.

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